Michael Amaning

Michael Amaning

In addition to his role as Peer Facilitator at Generation Arts, Michael is Associate Artist at Playing On Theatre Company helping to create theatre to transform the lives of disenfranchised people.  In 2014 he co-led on “Hearing Things” an exciting collaboration with the Maudsley Hospital generating a piece of theatre exploring mental health.  He has worked as a facilitator in prisons and criminal justice settings with Safeground, Isis and Only Connect and assisted on the “No Offence” restorative justice programme at The Lyric, Hammersmith.  In partnership with People’s Palace Projects and Afro Reggae Michael was part of a delegation to visit Brazil and share theatre practice.  He has worked with school pupils on free school meals delivering drama skills with West End in Schools, and with 6th form students in Harlesden on a project based on the play ‘Inside’.

Matt Harrison

Matt Harrison

Matt is an award winning director and theatre maker who trained at East 15 Acting. He was awarded the 2015 Bryan Forbes Bursary throughout which he was mentored by Michael Attenborough CBE. Matt has created and directed work at venues including the New Diorama, Finborough and Ambassadors Theatre as well as the National Theatre’s temporary space. He is Assistant Director to Emma Rice on Kneehigh’s ‘The Flying Lovers of Vitebsk’ and is developing a piece with Olivier nominated writer James Fritz. Matt regularly facilitates for organisations including the Old Vic, Almeida and Tricycle theatres as well as NYT and the wonderful Generation Arts.

Kate Maravan

Kate Maravan

Kate is an actress/writer and teacher. She trained at RADA and has co-written scripts for theatre, the BBC and Channel 4. In 1997 Kate discovered Meisner Technique and embarked on an on going practice and exploration of the work. She began teaching in 2000 and now teaches in the UK and internationally.  She teaches on a weekly basis at the Actors Centre and a weekly evening class in Exmouth Market. Kate is also interested in collaborations with other practitioners; she has recently co taught a Meisner /5 Rhythms workshop with Cathy Ryan.

Juliet Knight

Juliet Knight

Juliet is a director, actor and facilitator. She aims to make work that is playful, honest, authentic and collaborative. Her approach to rehearsals involves creating an ensemble and offering a collaborative space for writers to develop new work.

Her directing credits include ‘The Day After’ by Miran Hadzic at The Vault Festival (Edinburgh Festival 2016). ‘Variety Hall’ by Luke Barnes rehearsed reading at Shoreditch Town Hall with High- tide and Soho Theatre. ‘White Boy’ created and developed with the writer Tanika Gupta at Soho Theatre. ‘Stars Over Kabul’ developed with the writer Rebecca Lenkiewicz at The Tramway, Glasgow. ‘Weekday Nights’ by Luke Barnes Unicorn Theatre and NYT. ‘Cardboard Dad’ by Alan Harris at Sherman Cmyru. ‘A Just Act’ by E V Crowe with Clean Break Theatre Company touring magistrates offices and prisons. ‘Prime Resident’ by Stella Duffy at Soho Theatre. ‘There are Mountains’ developed with Chloe Moss at HMP Askham Grange for Clean Break Theatre Company. ‘Talking to Byron’ by Tanika Gupta for The National Youth Theatre. ‘Out of Me’ by Jane Bodie at Soho Theatre with NYT. ‘The Miracle’ by Lin Coghlan at Central School of Speech and Drama Diploma Course.

Her recent acting credits include ‘Caught in the Net’ by Ray Cooney at Vaudeville Theatre, ‘Tomorrow’ by Sam Evans at The White Bear, ‘The Smallest Story’ by R J Wilkinson at The Kings Head, “Eastenders’ BBC, ‘Faithless’ and ‘Trivia’ (short films)

Juliet is a lecturer at The Royal Central School of Speech and Drama and a regular tutor and director at Clean Break Theatre Company, The National Youth Theatre of Great Britain, Generation Arts and Central.

This Summer she is directing a new play by Izzy Tennyson ‘Runts’ at Brighton and Camden Fringe Festival, creating a show at Central School of Speech and Drama with the B A Applied Theatre course to tour Cornwall and she has a new production of ‘Bone Cage’ by Catherine Banks with her own company playing in London later this year

Jim Pope

Jim Pope

Jim created the Playing Up programme for the National Youth Theatre, which was committed to delivering level 3 accredited learning to young people who were not in education, employment or training.  In its first year 14 out of its 18 strong cohort achieved places in top drama schools including RADA, Rose Bruford, ALRA and Central as well as leading universities Bristol and London Metropolitan.  

He is a trainer for Leap Confronting Conflict and for the past year has been leading the START programme at the Lyric Theatre, Hammersmith for young people who have been excluded from mainstream education. He has provided teaching, training and consultation for the Roundhouse, The Lyric Theatre Hammersmith, Cardboard Citizens and the NYT in peer mentoring and working with challenging behaviour and taught on BA and MA courses at Central SSD and Brighton University. He has extensive experience as an actor, director and teacher and performed the role of Liam in INSIDE, co-directing the Roundhouse production. He will direct HEARING THINGS in 2013.

For more information visit www.playingon.org.uk

Jennifer Irons

Jennifer Irons

Jennifer is an award winning independent dance artist with a specialism in inclusive practice and site-specific performance. She works internationally in theatre, film, television, and arts for social development projects.  She has been Associate Artist with Candoco Dance Company since 2006 and is currently part of East London’s Bank Program. There she co-choreographed the large scale Tomorrow’s Men project that aimed to re-engage young men through dance and was staged in Canary Wharf as part of the London 2012 Festival. She was the choreographer of 12 Moves Worcester in collaboration with SDNA TV and Mira Calix and was Assistant Choreographer on Birmingham Opera’s Othello, working with 300 members of the local community and professional cast. It was nominated for an RPS Award for Best Opera in 2009. In 2011 she won Best Choreography at the UK Music Video Awards for her work on Wave Machines’ Keep the Lights On.   Jennifer is the director of iRONiNC; a dance and physical theatre company and ironINC in Africa; an arts and cultural exchange program.  She is also Co-Artistic Director of make.AMPLIFY whose current projects include the multimedia and dance project for elderly people produced by DanceDigital and Apparitions; the larger than life video mapped projections featuring in the official opening of the Queen Elizabeth Olympic Park in July 2013. For more information: www.jenniferirons.co.uk

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